Entradas con "Translation" disponen de versión castellana.

Sunday, March 4, 2012

Bacalao al pil-pil

                                                                                                                                   (in English, too)

                                                                                           a los chicos de LosViernes

   Tú te doblas para llegar al horno, donde la honda sartén de metal negro con pecas
blancas calienta la ventresca de bacalao que te habían guardado en el puesto del
mercado. Agitas la sartén y me enseñas los trocitos de ajo que se deshacen en el aceite y
la grasa negra de la piel.
   -¿Ves que rico? -me preguntas con tu sonrisa de payaso, las cejas arqueadas y tus
manos enfundadas en manoplas de cocina que dibujan escenas de granja. Cierras la
puerta del horno y me coges en brazos. -Te va a encantarrrr -me dices contra la oreja
que me muerdes a continuación.
   Estamos en tu cocina, la cocina donde vivías cuando yo te conocí. Es nuestra primera
presentación como pareja y yo estoy nerviosa. Tú no, claro, porque es tu hermano y su
familia, su mujer y su hijo pequeño, y tienes muchas ganas de que me conozcan. Yo,
una mujer mayor, del imperio malvado, divorciada y con hija acuestas, no estoy tan
segura de caer bien. Es más: estoy en tu casa, haciendo de pareja tuya, cuando la casa
era de otra mujer, que había sido tu pareja y, con la pareja de tu hermano, los cuatro
erais culo y mierda. Con perdón.
   Te recuerdo agitando aquella sartén honda, negra con pecas blancas, la misma sartén
con la que he enseñado a tu hija a freír pimientos rojos. No le he enseñado a hacer
bacalao al pil-pil, porque sólo lo hiciste aquella vez. Era tu especialidad, pero no se
volvió a repetir. Nos lanzamos a las casas de fin de semana con barbacoa y sanseacabó
los bacalaos al pil-pil, los que nunca llegó a probar tu hija, como otras muchas cosas
que nunca tuvo de ti. En fin.
   Llegaron tu hermano y su familia pero, si te soy sincera, te diré que no llenaron la sala
de calor y alegría. Sonreían, trajeron una botella de vino, preguntaron por mi hija, pero
me miraban de reojo. ¿Sabes por qué? Te diré porqué, ahora que lo sé. Porque sentían
unos celos terribles de nosotros. De la forma en que me mirabas y en que te hacía reír.
De la manera en que se iluminaban mis ojos cuando me apretabas la rodilla o intentabas
hacerme cosquillas. Del calor que desprendían nuestras manos apretadas.
   Y no comieron tu bacalao al pil-pil. El crío tiró su plato al suelo nada más acabar de
ponerlo todo en la mesa porque no le gustaba y no lo quería comer. Su madre abandonó
la mesa para limpiar el suelo y castigar al niño, acostándose junto a él en la cama de
invitados, y tu hermano se excusó con un dolor de estómago que llevaba arrastrando
desde el viernes. Tú y yo nos zampamos a gusto tu bacalao al pil-pil y tenías razón. Me
encantó. Lo que más me gustó, sin embargo, fue la manera en que me miraste cada vez
que llevaba el tenedor a la boca, como para asegurarte de que realmente me gustaba, de
que mi amor era real. Y fíjate que aún soy capaz de saborear ese plato, de apreciar el
brillo en tus ojos al mirarme.
   Fregaríamos, supongo, aunque puede que fregara tu ex-cuñada. Tomaríamos piscosours
y nos contaríamos historias (de las suaves e inocuas, inofensivas) hasta sentir que
volvíamos a formar una familia, al menos durante un tiempo, y supongo que durante un
tiempo sí que lo hicimos, a la manera de todas las familias. Continuaríamos hablando de
tu bacalao al pil-pil y de cómo lo repetiríamos, aunque a fecha de hoy no existe ninguna
de las posibles familias de ese momento. Existimos tu hija, mi hija y yo, y existe tu
sartén bacaladera, aunque con un punto cada vez más desgastado que cualquier día cede
al tiempo y al óxido. Entonces, la pondré en la terraza junto a las demás macetas
recuerdo y plantaré en ella otro esqueje, a ver si crece.

Bacalao al pil-pil

   You bend over in order to reach the oven, where the deep pan, the black metal one
with white specks, is heating the choice piece of cod they saved for you in the market.
You shake the pan and show me the bits of garlic melting in the oil and black grease of
the skin.
   “Isn't that delicious?” you ask me making that smile like a clown, your eyebrows
arched and your hands immersed in kitchen gloves decorated with a farm motif. You
close the oven door and take me in your arms. “You are going to loooooovvvee it,” you
say against my ear which you then bite.
   We’re in your kitchen, the kitchen where you lived when I met you. It is our first
appearance as a couple and I’m nervous. You are not, of course, because it is your
brother and his family, his wife and their small son, and you really want them to meet
me. I, an older woman from the evil empire, divorced and with a child of my own, am
not so sure of being liked. What’s more, I am in your house as your partner, when the
house was yours with another woman who had been your partner and, together with
your brother’s wife, you four were thick as thieves. Forgive the comparison.
   I remember you shaking that deep black metal pan with white flecks, the same pan
I’ve used to teach your daughter how to fry red peppers. I haven’t taught her how to
make bacalao al pil-pil, because you made it just that once. It was your special dish, but
you never made it again. We started taking off for holiday houses with barbeque pits
and that was all she wrote for bacalao al pil-pil, the dish your daughter never tried, like
many other things she never got from you. Anyway.
   Your brother and his family arrived but, to be honest, I’d have to say they didn’t fill
the room with warmth and happiness. They smiled, they brought a bottle of wine, they
asked after my daughter, but they watched me from the corners of their eyes. You know
why? I’ll tell you why, now that I know. Because they were unbelievably jealous of us.
Of the way you looked at me and the way I made you laugh. Of the way my eyes lit up
when you squeezed my knee or tried to tickle me. Of the heat given off by our held
hands.
   And they didn’t eat your bacalao al pil-pil. The kid threw his plate on the floor as
soon as the table was laid out because he didn’t like it and wasn’t gonna eat it. His
mother left the table to clean the floor and punish the boy, lying down with him in the
guest bed, and your brother excused himself because of a stomach ache he’d had since
Friday. You and I dug into your bacalao al pil-pil and you were right. I loved it. But
what I most loved was the way you looked at me every time I brought the fork to my
mouth, as if you were making sure that I really did like it, that my love was real. And,
listen, I can still taste that dish right now, can see the shine in your eyes, that look.
   We would have washed up, I guess, although maybe your ex-sister-in-law did the
dishes. We would have made some whiskey-sours and we would have told stories (easy,
innocuous, polite ones) until we began to feel that we were a family again, at least for a
while, and I guess for a while we were, in the way all families are. We would go on
talking about your bacalao al pil-pil and how we would do it again, although today
none of the families there might have been then exist anymore. Your daughter, my
daughter and I exist, as does your pil-pil pan, despite the worn spot which any day now
will succumb to time and rust. When it does I’ll take it out to the terrace with all the
other memento pots and stick a cutting in it to see if it will grow.

Monday, January 16, 2012

Head First


Electric Literature's year-end challenge: write a 30 to 300 word story without using any word twice. Here are the winners:
 http://electricliterature.com/blog/2012/01/10/winners-holiday-restraint-contest/ (not me). 

Also included in The24Project. Work was selected in 24 hours on April 15th, then put on an online journal for seven days only. http://the24project.tumblr.com/post/21179113734/head-first-kymm-coveney



Head First

During this third sleepless night, Roy stumbles toward oblivion, ineptly processing black, angry thoughts on Jack Daniel's white-water-rapids ride through addled, altered brainwaves fueled by reasons, doubts, longing, rage. Rebellious soul. Soulless rebel. But cutting your kid off? "You are no longer part of our family!" Fuck them, fucking assholes.
Chilly harbor breezes rock their floating house, make its bagged spinnaker hang convincingly like some old tar's hammock. Sounds echo back from childhood, adolescence (unreachable adulthood): wetslapped pilings, hull's lullaby. Fiberglass-pressed face, flat-nosed sniffing musty blankets that soak up more irretrievable tears whose snottied sobs disappear, drowned out under clanging, rogue jib sheets.
Rising, sprinting across splintersmooth planks before leaping onto his parents' boat (home again), an only son silently begins halyard climbing, right hand then left, mast-squeezing knees shove heavenward, finally straddling twin spreader spars. There is rope enough for the favorite knot taught in every rainy-day sailing class. David R. Hamilton Jr. slips into a hangman's noose, swan dives over Ogunquit Bay and swings gently above two unswayable wills. Clouds will gather at dawn.

De cabeza

Durante esta tercera noche sin dormir, Roy se tambalea alrededor del abismo; torpemente procesa negros, airados pensamientos -esa bajada furiosa de rápidos Jack Daniel's- a través de aturdidas, alteradas ondas cerebrales, alimentado por razones, dudas, añoranza, furia. Alma de rebeldía. Rebelde desalmado. Pero, ¿echar a tu propio crío? "¡Ya no formas parte de nuestra familia!" Que se jodan, cabrones de mierda.
Frescas brisas del puerto mecen el hogar flotante, haciendo colgar de manera convincente el spinnaker entalegado como si fuera una hamaca de algún lobo de mar. Ciertos sonidos recrean la infancia, adolescencia (inalcanzable mayoría de edad): húmedo azote de pilotes, nana de casco. La cara contra fibra de vidrio, nariz aplastada que resopla mientras rancias mantas empapan más lágrimas irrecuperables cuyos sollozos moqueados desaparecen, ahogados bajo el fuerte tintineo de anárquicos cabos de foque.
Irguiéndose, corriendo a lo largo de planchas de astillas lisadas hasta arrojarse al barco de sus padres (de nuevo en casa), el hijo único comienza silenciosamente a elevarse con la driza de la mayor, mano derecha luego izquierda, rodillas aprietamástiles empujando hacia el cielo, al final a horcajadas de las crucetas gemelas. Hay cuerda suficiente para el nudo favorito de las clases de vela cuando llovía. David R. Hamilton Jr. pone la soga al cuello, ejecuta un salto de ángel sobre la Bahía de Ogunquit y se balancea suavemente encima de dos voluntades inamovibles. Unas nubes se congregarán al amanecer.

En la traducción, se han colado varias repeticiones, a saber: del, las, al, a, el, la, se y del.

Thursday, December 1, 2011

The Widow / La viuda



The Widow

            “I can’t make any promises,” he said, leaning in to kiss her tentatively, unexpectedly.
            “Because your wife?” she asked. Longing clouded her thoughts.
            “She doesn’t want me to leave,” he said. His mouth on her neck like a hickey made her gasp.
            “And your girlfriend?” The girlfriend was dust. His lips were hedonists pursuing her.
            “She’s making me wait now.” With hangdog eyes he supplicated, appealing to this one weakness. She knew it would not end well, but the heat of his fingers on her bare skin was irresistible.
            “Yet here you are,” she said. Or she thought.




La viuda

-No puedo prometerte nada -dijo, acercándose a tientas hasta besarla inesperadamente.
-¿Porque tu mujer? -preguntó. El deseo le nublaba los pensamientos.
-No quiere que la abandone -dijo. Su boca en el cuello como un chupetón le cortó la respiración.
-¿Y tu novia? -La novia se esfumó. Sus labios eran hedonistas que la perseguían.
-Ahora es ella quien me hace esperar. -Con ojos de perro abatido suplicaba, apelando a ésta, su mayor debilidad. Ella sabía que no podía acabar bien, pero el calor de sus dedos sobre la piel desnuda era irresistible.
-Sin embargo, aquí estás -dijo. O pensó.



23/nov/2010
Entry for 100-word story contest II Premio Museo de la Palabra (not even close!)
Link to the winning story:


Friday, November 11, 2011

11/11/11


I read, feeding the books to the armchair, page by page.

#11words on Twitter

Happy Birthday, Kurt Vonnegut, Jr.

Friday, November 4, 2011

Concurso Tweek



Vacilé a orillas de la Nada, ante ese devastador sabor a deseo. Al índigo del alba me rendí.
@KymmInBarcelona


[Uno entre 100 tweets seleccionados en el concurso Tweek de @hipermedula 3/11/2011]
http://hipermedula.org/2011/11/manana-se-conocera-al-ganador-de-tweek/
It started out as this, for #soatale:



She hovered on the brink of oblivion. That taste of desire was his undoing. She clasped him in the indigo aurora and surrendered

Twitter love!

Sunday, September 25, 2011

Jetlag

[NPR 3-Minute Fiction, round 7]

   Folding attic stairs had been pulled down from the ceiling so the heavy boxes could be pushed
up them one by one, then shoved across the floorboards to form a shelf against the western
slope of the roof. The boxes, uniform light-brown rectangles with the weight distributed evenly
among them, were full of books, but also of photo albums (the missing photos were in a bulging
envelope she had placed in the middle of the suitcase) and mementos to show her children
some day.
   The suitcase had no wheels or straps, just a handle. At first she put too few things in; her father
said it would rip. Then she added winter clothing until it pushed out too far and her mother said it
would rip. She pulled out a bulky sweater she would never wear anyplace but home and tucked
it back into the bottom drawer of the pine chest, on top of the blue and white scarf a senior boy
had wrapped around her freshman neck when he kissed her at a high-school basketball game
in the gym.
   She stood surrounded by her family as she watched the suitcase bounce and jerk its way along
the conveyor belt, then she stood surrounded by her family at the entrance to the security corral.
Finally she stood alone before the wall of departure panels, waiting in the lounge.

   Outside the arrivals exit stood her friend. Next to her stood an unfamiliar man, hugging her
friend familiarly. They all kissed each other’s cheeks, but did not hug. Her friend chattered,
eagerly waiting for her and the man to become friends. She smiled and rubbed her eyes,
apologizing for the jetlag. Lunch would be at a place the man knew out by the river. They would
drink sangria.
   In the one bedroom of her friend’s tiny apartment, she unloaded her things on the twin bed
nearest the wall. Because there was no desk in which to place her passport, her envelope of
photographs or her notebook and pen, she stowed them in the underwear drawer. The rest of
the clothes she hung in the section of closet she’d been allocated. There was a folding shelf for
shoes, and her empty suitcase, requisitioned as a repository for winter blankets, was hoisted
atop the closet.
   Her friend gave her a small tour of the medicine cabinet and the half-kitchen’s half refrigerator.
She was shown where the packaged food was stored, where the plates and glasses were
stacked, and where the purse with money for household expenses was kept. With a smile, her
friend led her to a small shelf beside the black and white television set and placed the airplane
novel between a treatise on contemporary political thought and a dictionary.
   She stood out on the wisp of a balcony hours before dawn and breathed in the foreign smell
of dry plateau, diesel and black tobacco. The empty street was bathed in an orange glow. She
listened to the grinding buses blocks away and then the steady drone of a Vespa, and thought
how impossibly far away it all was.

Wednesday, August 31, 2011

Bridget

460-character post for Three Minute Fiction warmup

If Bridget’s life had been a work of fiction, she could have put someone with a lesser sense of irony in charge of plot, and she would have awarded the main character a more clever disposition. If only she had been given a minute before the staging was set, she might have formulated with greater clarity and precision those three fateful wishes. As it turns out, quality, size and safety can be decisive in matters of fame, fortune and a shiny red sports car.

fiction, minute, three
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